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[Review] The Accountant

That The Accountant is written by Bill Dubuque, the same man who gave us The Judge, makes so much sense, and about halfway through it becomes clear how far this...

[Review] Miss Hokusai

From the moment an electric guitar's riff introduces heroine and painter Katsushika Ōi (Anne Watanabe) in 1814 Edo, Japan, Keiichi Hara's Miss Hokusai clearly w...

[Review] Coming Through the Rye

Emmy-winning director James Steven Sadwith makes his feature-directing debut with a story close to his heart. Coming Through the Rye fictionalizes his experienc...

[Review] Jack Goes Home

There's no question that Thomas Dekker's sophomore effort as writer-director is a head-scratcher. What you as a viewer must decide is whether or not to keep scr...

[LFF Review] My Life as a Zucchini

Orphanages conjure up images of the hard-knock life and servings of gruel. This tough, deeply moving, Céline Sciamma-penned, 66-minute stop-motion gem from Fran...