Despite the fact that Ziad Doueiri’s (a crew member on some of Quentin Tarantino’s early works) latest film The Insult is set in Lebanon, the ensuing drama can'...
It’s amazing how some tweaking can turn a decent film showing its age into a worthwhile project that earns its upgrade four decades later. To watch Franklin J. ...
Thirty years of marriage have turned Joan Anderson (Karen Allen) into “a mother and wife,” her sense of who she was before kids and marriage having almost vanis...
Near the end of The Nothing Factory, the film’s ostensible lead player Ze (José Smith Vargas) angrily remarks to Daniele (real-life documentarian Daniele Incalc...
After dodging a bullet by leaving just before production was set to begin on Collateral Beauty, the first true Hollywood production from Alfonso Gomez‐Rejon...
Juan Martin del Potro just ruined the match-up everyone wanted to see at the 2017 US Open—a semi-final pitting Rafa Nadal against Roger Federer. Despite both be...
In the world of Japanese pop auteurs, there are few rising stars as unpredictably eclectic, temperamental, and consistently fascinating as Hideaki Anno....
The discovery of fresh, bold voices in cinema has always been one of the great joys of visiting film festivals. And this year in Venice, probably no film in com...