The Film Stage - Page 1063

The Film Stage Show Ep. 272 – The Untamed

Today, Michael Snydel, Bill Graham and I get weird with it and talk about the almost indescribable new film from Amat Escalante, the sexual thriller The Untamed....

Review: ‘Bombshell: The Hedy Lamarr Story’ Profiles the Brilliant Mind of a Hollywood Icon

The tell-all "autobiography" Ecstasy and Me: My Life As A Woman was exactly what Hedy Lamarr's agent wanted to make quick money. But it wasn't her life. Whether...

Review: ‘The Man Who Invented Christmas’ is a Charming Look Behind a Beloved Story

As Les Standiford's book would tell it, Charles Dickens (Dan Stevens) found himself in somewhat of a creative rut after a lengthy and expensive tour of America ...

DOC NYC Review: ‘Maddman: The Steve Madden Story’ is a Lively Look at the Man Behind the Shoe

Functioning in the mode of a lifestyle documentary like Dogtown and Z-Boys, Ben Patterson’s Maddman: The Steve Madden Story tells the sweeping take the shoe imp...

Review: ‘Sylvio’ is a Touching, Absurdist Comedy

Vine fad “Simply Sylvio” and its film adaptation -- more plainly titled Sylvio -- by directors Albert Birney and Kentucker Audley offer a tense amalgamation of ...

Review: ‘Remember Me’ is a Humorously Tragic Dramedy

I'd assume the majority of people treat/treated their grandparents as somewhat of an escape. They were family who you loved and cared for that had a home you co...

The Film Stage Show Ep. 271 – Justice League

We talk about the newest entry into the DCEU, directed by Zack Snyder....

DOC NYC Review: ’12th and Clairmount’ is an Evocative History Lesson

Produced collaboratively by the Detroit Free Press and community institutions, 12th and Clairmount is a rare immersive look at Detroit during the unrest of 1967...

‘The Mercy’ Trailer: Colin Firth and Rachel Weisz Sail the High Seas

The Theory of Everything and Man on Wire director James Marsh is once again looking back to history for his next film. In The Mercy, he's shipping Colin Fir...

Review: ‘Coco’ Plucks Guitar Strings and Heartstrings

By Jordan Ruimy Pixar's 19th feature Coco was conceived as a tribute to Mexican culture, which is perhaps its most innovative quality, though it's neverthele...

News

Cinema Guild to Unveil Otar Iosseliani Restorations This Summer

The Criterion Collection Announces Complete Stanley Kubrick 4K Set

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

Trailers

Will Poulter Navigates an American Crisis In First Trailer for Union County

Exclusive Trailer for Japan Cuts 2026 Highlights the Best of New Japanese Cinema

Sophie Thatcher and Charles Melton Traverse Giallo Underworld In Trailer for Nicolas Winding Refn’s Her Private Hell

Reviews

Camp Review: An Absorbing, Dreamlike Journey of Finding Yourself

Jackass: Best and Last Review: Knoxville & Co. Return for One Last Encore

Romería Review: A Personal Tale of Intergenerational Dissonance

Features

New to Streaming: The Prisoner, Silent Friend, Obsession, Fiume o morte! & More

NYC Weekend Watch: 70mm Conspiracies, Immigrants, Spectres, Sherman’s March & More

Posterized July 2026: The Samurai and the Prisoner, The Odyssey, Night Nurse & More

Interviews

Ross McElwee on Remake and the Painful, Profound Process of Making a Testament to His Son’s Life

Tamra Davis on Billy Madison, Half Baked, Watching Fellini and Coppola on Set, Bonding with Britney Spears, and The Best Summer

“There’s No Incentive for a Filmmaker to Retire”: Alex Cox on Returning With Dead Souls

Podcasts

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

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