After the quaint, touching documentary The B-Side from earlier this year, director Errol Morris is back with a more ambitious undertaking: a six-part Netfli...
This monthly column focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to expect, but as propaganda to fill seats....
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Arriving in December is our most-anticipated picture of the year, sci-fi tales from both Lucasfilm and Alexander Payne, a movie about making the worst movie, and much more....
It's hard to reject a film as having no substance when its narrator apologizes for that very fact. Was its hollowness therefore an intentional commentary on the...
Welcome, one and all, to the latest installment of The Film Stage Show! Today, Michael Snydel, Bill Graham and I die a little inside talking about the anima...
As we look towards the next year in cinema, the first major event of the year is the 2018 Sundance Film Festival. Taking place from January 18–28, the fi...
Three weeks ago, we learned that Ridley Scott was cutting Kevin Spacey out of his new drama All the Money in the World and replacing him with his first choi...