The Film Stage - Page 1043

NYC Weekend Watch: ‘The Age of Innocence,’ Antonioni, Studio Ghibli & More

Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...

The Film Stage Show Classic – It’s a Wonderful Life

We get into the Christmas spirit and talk about the holiday classic It's a Wonderful Life, directed by Frank Capra and starring Donna Reed and Jimmy Stewart....

The Best Cinematography of 2017

Roger Deakins, Sean Price Williams, Darius Khondji, and more cinematographers delivered stunning work this year....

‘Pitch Perfect 3’ Review: The Bellas are Back in a Sequel Aimed to Please

The opening sequence of Pitch Perfect 3 finds the Bellas aboard a luxury yacht doing a version of Britney Spears’ “Toxic” that feels even more synthetic than th...

David Oyelowo Gets Involved in the Drug Trade in First Trailer for Nash Edgerton’s ‘Gringo’

It's been nearly a decade since Nash Edgerton delivered his thrilling debut The Square and, since then, those at Blue-Tongue Films (including his brother Jo...

First Trailer for David Wain’s ‘A Futile and Stupid Gesture’ Tells the Story of National Lampoon

After delivering one of the funniest, most tear-inducing parodies of all-time with They Came Together, David Wain gave us two Wet Hot American Summer TV sea...

First Trailer for ‘Chappaquiddick’ Depicts a Kennedy Family Cover-Up

After last year's Jackie, another drama depicting a Kennedy family incident came to Toronto International Film Festival this fall. Chappaquiddick, directed ...

The Best Directorial Debuts of 2017

This year was an especially notable time for new directors making their stamp, and we're highlighting the handful of 2017 debuts that most impressed us....

‘Hostiles’ Review: Christian Bale Gives an Authentic Performance in Unsubtle Parable

The fact that America's past isn't without its horrific nightmares of misguided violence and oppression shouldn't be lost on anyone, especially not with everyth...

Review: ‘The Greatest Showman’ Skirts History to Deliver a Progressive Crowdpleaser

Best to get this out of the way first. Though The Greatest Showman, directed by visual effects artist and first-time filmmaker Michael Gracey, tells the story o...

News

Kenneth Lonergan Returns with Tomorrow Is a Drag; Aubrey Plaza, Adam Driver, Matthew Broderick, and Vanessa Kirby Starring

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

Trailers

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Isabelle Huppert and Delphine Seyrig Inhabit an Artist In Exclusive Trailer and Poster for Liliane de Kermadec’s Aloïse

The Rivals of Amziah King Trailer: Matthew McConaughey Leads Andrew Patterson’s Crime Thriller

Reviews

Cannes Review: All of a Sudden Is Ryusuke Hamaguchi’s Most Empathetic, Humanist Film to Date

Cannes Review: Clarissa Provides a Formally Adventurous Showcase For Sophie Okonedo

Cannes Review: The Meltdown Is an Elusive Chilean Chiller

Features

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Best Movies Now Playing in Theaters

NYC Weekend Watch: Kazuhiko Hasegawa, Pynchonesque, Max and Richard Fleischer, the Pusher Trilogy & More

Interviews

“Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Podcasts

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The B-Sides of Chow Yun-Fat

Josh Heaps on the DIY Horror of City Wide Fever

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