The Film Stage - Page 1018

Marion Cotillard Struggles with Motherhood in First Trailer for Cannes-Bound ‘Angel Face’

A regular at the Cannes Film Festival, Marion Cotillard opened the ceremonies last year with Arnaud Desplechin's excellent Ismael's Ghosts, and now she's ba...

‘The Tale’ Trailer: Laura Dern Confronts Her Past in Powerful Tale of Sexual Abuse

The most powerful experience I've had at a theater this year is during Jennifer Fox's The Tale at Sundance, but it won't be the way the majority of viewers ...

Review: ‘Avengers: Infinity War’ is an Operatic Beginning of the End

After toying with the mortality of its ensemble in every single film across its now 10-year franchise, the Marvel Cinematic Universe has finally reached a point...

US Trailer for Hong Sang-soo’s Masterful ‘The Day After’ Probes Grief and Idiocy

Difficult though it can be to parse through Hong Sang-soo's oeuvre -- an onslaught of projects that continued with the recent premiere of Grass and is likel...

Olivier Assayas on the Extremity of Cannes, Piracy, Non-Fiction, and Restoring Cold Water

We talk to the director about his semi-autobiographical 1994 feature, getting a U.S. theatrical release for the first time....

Jessica Chastain Heads West in First Trailer for ‘Woman Walks Ahead’

On the film festival circuit last fall, Jessica Chastain brought two films, but in order to not distract from the awards ambitions of Molly's Game, the othe...

Tribeca Review: ‘Duck Butter’ is a Subversive-Enough Post-Mumblecore Comedy

The Duplass Brothers Productions has become the Blumhouse of character-driven indies, an established label that upcoming filmmakers gravitate towards to work wi...

New International Trailer for Lee Chang-dong’s Cannes-Bound Drama ‘Burning’

With the Cannes Film Festival line-up now completely locked down, including all sidebars, it's only a few weeks to go until things kick off, and perhaps our...

Review: ‘The Devil and Father Amorth’ Finds William Friedkin Haphazardly Returning to Exorcism

Director William Friedkin had never seen an actual exorcism when he made the canonical possession film The Exorcist. No one seems to think the material suffered...

First Trailer for ‘Blindspotting’ Finds Daveed Diggs Trying to Survive in Oakland

Going into Sundance Film Festival this year, we knew there was bound to be a handful of movies depicting police brutality and the state of race relations in...

News

NYC Weekend Watch: Masahiro Shinoda, Budd Boetticher in 3D, Carlito’s Way & More

The Criterion Channel’s July Lineup Features Harry Dean Stanton, Jonathan Demme, The Prisoner & More

The Criterion Collection’s September Lineup Features Leos Carax 4K Set, The Secret Agent, Richard Linklater, Satyajit Ray & More

Trailers

Exclusive Trailer for Film Forum’s Laurel & Hardy Retrospective Celebrates Comedy Titans

Dreams in Nightmares Trailer: Shatara Michelle Ford’s Acclaimed Second Feature Arrives in August

Shinya Tsukamoto Goes to War In Trailer for English-Language Vietnam Film Mr. Nelson, Did You Kill People?

Reviews

Rose of Nevada Review: Mark Jenkin’s Stupefying, Time-Slipping Ghost Story

Maddie’s Secret Review: John Early Shows Total Commitment In Feature Debut

Tribeca Review: Alicia Vikander Gives a Restrained, Layered Performance in The Last Day

Features

New to Streaming: Two Pianos, The Last One for the Road, Pressure, The Wizard of the Kremlin & More

The Best Movies Now Playing in Theaters

New to Streaming: Blue Film, I Am Frankelda, It’s Dorothy! & More

Interviews

“It Was Our Job to Commit”: John Early on the Roman Empire, Paul Verhoeven, and Maddie’s Secret

“I’ve Got No Idea How That Works”: Mark Jenkin on Rose of Nevada

Michael Sarnoski on His Favorite Robin Hood Films and the Character’s Violent Mythology

Podcasts

The B-Sides of Steven Spielberg with Bilge Ebiri

The B-Sides of Goldie Hawn with Jen Johans

The B-Sides of Laurence Fishburne with Mitchell Beaupre

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