Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not likely to see in a theater again anytime soon, and many of which are, also, on 35mm. If you have a chance to attend any of these, we’re of the mind that it’s time extremely well-spent.
Metrograph
Alfred Hitchcock and Cary Grant‘s collaborations are highlighted in a series that brings Notorious, Suspicion, and To Catch a Thief on Friday, Saturday, and Sunday, respectively.
Prints of Max Ophüls‘ Letter from an Unknown Woman and Alan Arkin‘s Little Murders play on Saturday and Sunday, respectively.
A print of James and the Giant Peach screens on Saturday morning; The Flying Ace shows this Sunday.
A great trio of double-features: Hitchcock on Friday, Godard on Saturday, and Kubrick (both on 35mm) this Sunday.
Museum of the Moving Image
The Hateful Eight again plays on 70mm this Saturday.
To celebrate Kartemquin Films‘ 50th anniversary, a number of documentaries — most notably Hoop Dreams — are screening this weekend.
Nitehawk Cinema
Dirty Work, un film de Bob Saget, has midnight showings this Friday and Saturday, as does Lucio Fulci‘s Zombie.
Susan Seidelman‘s She-Devil plays before noon on Saturday and Sunday.
The Gaumont series continues.
IFC Center
Fellini‘s Roma plays before noon throughout the weekend.
The Exorcist, My Neighbor Totoro, and Predator have midnight screenings.
Sunshine Cinema
Misery has midnight showings on Friday and Saturday.