James Cameron sure does love 3D movies. So much so that he’s personally going back and converting his older films into the format himself. He converted Tita...
Considering his prolific output and the mammoth length his features often occupy, U.S. distribution isn't always guaranteed for the films of Filipino direct...
It was only a few years ago that we got The Kingdom of Dreams and Madness, a documentary that took an inside look at perhaps the greatest animation company ...
The man in black fled across the desert, and The Dark Tower trailer followed. After languishing for years in the development wastelands, Stephen King’s spra...
The Big Sick went over big at Sundance, where many critics praised it as a genuinely emotional twist on standard romantic comedy cliches. In our review, we ...
After releasing Krisha, one of the best directorial debuts of last year, A24 also backed writer-director Trey Edward Shults' follow-up It Comes at Night, an...
While news stations attempt to cover the Black Lives Matter movement and the injustice stemming from its formation, the most thorough documents tend to be f...
Throughout his career, director Steve James has excelled in taking person stories of struggles (in many forms) and conveying them in a relatable, but no les...
About twenty minutes ago I stepped onto 32nd St. between Madison and 5th Ave. for all 15 seconds, in which time I caught sight of an MTA bus bearing somethi...
After his black-and-white period romance-drama Frantz recently got a release here in the United States, the prolific François Ozon (Swimming Pool, In the Ho...
