The twists and turns of fate and the ways in which individuals react to them constitute the central preoccupations of Mia Hansen-Løve’s cinema. Her exceptional ...
How many great filmmakers have been lost as a result of disease and human catastrophe? That seems to be the question on the mind of documentary filmmaker Aaron ...
Steering into the frame to the sound of '70s rock music while giving chase in their muscle car to a fully-costumed, on-foot mime, the impeccably dressed, utterl...
Ambiguity might be the most useful item in the science fiction toolbox. Blade Runner’s mysteries still rob people of sleep, and you’d need a wall chart to work ...
The protagonist and namesake of Mohamed Ben Attia’s Hedi certainly isn’t cinema’s first leading man to seek validation from a more free-spirited woman, and it's...
There's no doubt that Irish actor Jack Reynor deserves recognition for his role in Glassland, a modern-day kitchen sink drama set in a south Dublin social housi...
Absurdity turns quickly to boredom in Alejandro Amenábar’s Regression, the latest picture unceremoniously dumped by The Weinstein Company to your local multiple...
From start to finish, Christian Ditter's How To Be Single struggles to be both a forward-thinking comedy about women dating in the modern world and a reliably g...
The world has changed since Zoolander helped America laugh again after 9/11. A good deal of its new sequel tries to pan humor out of grappling with this. As the...
Just a year since the cancer dramedy Me and Earl and the Dying Girl won big at Sundance, this year’s festival opened with another in the subgenre – albeit witho...
