Nick Simon's The Girl in the Photographs seems to be a story reverse-engineered from its final image -- which, for a low-budget horror film, is an effective one...
Directed by Dylan Kidd, Get A Job stars Miles Teller as Will, the Millennial From Hell. Fresh out of college, our hero (?) expects everything to work for him li...
It’s easy to map out the Dennis Hopper trajectory: mid-50’s/ -60’s classical Hollywood bit player to '70s weirdo maverick to '90s Hollywood-blockbuster villain ...
Following in a wave of cerebral psychological horror films such as The Witch, It Follows, and The Babadook, Anita Rocha da Silveira’s debut Kill Me Please is th...
At its heart, Bi Gan's Kaili Blues is a meditation on the struggle between traditionalism and modernism. Through the story of one man’s journey through Chinese ...
I Promise You Anarchy, by writer-director Julio Hernández Cordón, titillates equally with its queer sensuality and noirish crime, neither of which is entirely t...
From Sophie's Choice to My Sister’s Keeper, child loss has been the subject of everything from prestige Oscar pictures to YA drivel. It’s an understandable foc...
What do you get when you combine uninventive found footage, a location chosen specifically for its cheap production costs, and CGI the likes of which has not be...
Most writing on Christian Desmares and Franck Ekinci's April and the Extraordinary World speaks as though they've adapted one of revered Frenchman Jacques Tardi...
Who isn't self-centered? If you find someone, please let me know, because I don't think that person exists. Even when we are at our most compassionate, empathet...
