Cannon fire rumbles menacingly in the distance, but it’s human desire that might prove to be the greater threat after all in The Beguiled. Set to the backdrop o...
There's more to The Women's Balcony than the American marketing machine has thus far presented. Billed as a feel good comedy of communal spirit — and correctly ...
Blame it on 21 Jump Street. In 2012, Phil Lord and Christopher Miller rebooted a silly, cult television series with a clever wink. It was a hit that spawned a h...
Michel Franco has built a reputation as an actor's director, with his films featuring no shortage of unforgettable lead performances. Tim Roth's creepy leading ...
Cinema lost one of its pre-eminent pioneers when Abbas Kiarostami died on July 4, 2016. Over the course of his 46-year filmmaking career, the Iranian master nev...
Director Jonas Carpignano returns with his first film since Mediterranea (which broke out from Cannes Critics' Week sidebar two years ago) to remind us that alp...
It's more Pastiche du Godard than Histoire(s) du Godard in Michel Hazanavicius’ Godard Mon Amour and that’s not a bad thing. The director’s slight but surprisin...
What does a cowboy do when he can’t ride? Chloe Zhao’s absorbing South Dakota-set sophomore feature has its titular rider come to terms with such a fate, in a f...
There are surely few sweeter delights in this troubling world of ours than seeing Willem Dafoe politely escort a group of storks off a motel driveway. It is, pe...
With the successive features Dogtooth, Alps, and The Lobster, Yorgos Lanthimos seemed to be going down the same route as Wes Anderson, i.e. become one of those ...
