There's a great documentary about what life is like in the fracking boomtowns of North Dakota entitled The Overnighters. In it, we witness an example of humanit...
Some will dismiss Wanuri Kahiu's Rafiki as derivative simply because they refuse to see what makes it so special. They'll mention its Romeo and Juliet parallel ...
There's no getting around the fact that Lionsgate did Guillermo del Toro dirty by not extending him an invitation to complete his Hellboy vision with a third fi...
Based upon Anna Todd’s novel–which itself has been described as a work of One Direction fan fiction–After is a mild entry into the good girl takes a walk on the...
There is one compelling reason to see Mary Magdalene, Lion director Garth Davis’ long-delayed drama, a notorious casualty of the death of the Weinstein Company....
The names have been changed. That might not mean much since "true stories" generally do that by making composites of certain characters to give the drama a more...
Throughout his career as a director, Terry Gilliam has aimed to portray the outlandish and disorderly in imaginative, transportive ways. His greatest achievemen...
There's something somewhat hypocritical in remaking a horror yarn about the perils of not leaving something well enough alone. Much like Jason Clarke's Louis Cr...
The years between Laika releases–in which our eyes are exposed to hours of unimaginative, cookie-cutter Hollywood animation–always seems to be just enough time ...
A suicide. A stillborn baby. A woman holding the latter as she leaves the former to show her husband and the now widower father the results of the harrowing nig...
