Everything in this world comes down to control and that's what makes the work being done by minority classes (gender, race, sexuality, religion, etc.) so import...
There's a reason the first word in Michael Glover Smith's triptych Rendezvous in Chicago isn't pluralized despite consisting of three distinct stories. It stems...
What's mostly a vérité document of lead character Tina's (Carlie Guevara) trajectory towards chemically transitioning from male to female despite being an undoc...
When it comes to sex, things can get real complicated real fast. While the act itself may be dictated by the most primal of instincts, questions of morality, le...
How does a self-taught upright bass player who dropped out of Julliard to pursue his parents' dream of medical school become a bona fide superhero? Easy. He rai...
American novelist Jack London was an active proponent of socialism, his writing offering self-reflexive deconstructions of their values within distinct, incongr...
Writer/director Rob Grant wastes zero time getting us in the right frame of mind with Brett Gelman's perfectly sardonic voice narrating an auspiciously violent ...
Just because writer/director Kevin McMullin's debut feature Low Tide centers on a trio of locals stuck in a New Jersey banks vacation town and forced to watch r...
Growing up in a Catholic country where we were instructed to say our prayers each night before going to sleep, I always found myself dreading the moment when I ...
It’s a critical cliché to describe a filmmaker’s late-period output as elegiac, nostalgic, or any other adjective that suggests an aging artist grappling with t...
