Despite being neither a household name nor one I could immediately place, seeing writer-director Seth A. Smith attached to a film while sifting through the sch...
In Mad God, a character called “The Last Man” (played by the great Repo Man director Alex Cox) runs a laboratory sending miniature explorers into the bowels of...
Materna opens with hazy close-ups of four women on the New York subway, all distracted and on edge. As we’ll come to learn, that’s partly from events in each o...
A mother's love can move mountains. It must in the case of Paul Dood (Tom Meeten) since he doesn't really have anything else propelling him forward. Did he asp...
The logistics behind Beyond the Infinite Two Minutes are mind-boggling to fathom; time-travel stories are often confusing enough when they aren't filmed as a o...
Russell (AJ Bowen) is a good guy. We know because his joint rideshare driver helps a customer by carrying her giant wreath to the door before refusing a tip wi...
The title is a metaphor. The criminal justice system in America is a black hole consuming everything in its path but, unlike in general relativity where an eve...
Sir Gawain and the Green Knight is one of the richest medieval texts, a delightful story one could spend hours discussing with no possible end to the interpret...
If you’re like this writer and frequently check the IMDb page for The Mummy and Van Helsing director Stephen Sommers, you’ll see an anecdote under the trivia t...
Is it possible to stand out and disappear at the same time? Matt Damon makes a convincing case study in Stillwater. As roughneck Bill Baker, he wears the signi...
