In the new documentary Factory to the Workers, the men and women of a doggedly socialist metal factory in northern Croatia struggle facing up to the realities ...
I wonder when we'll grow numb to movies about the COVID-19 crisis. Anyone saying they already have is either lying or living a life of privilege wherein the co...
Throughout King Richard, I kept waiting for a flashback. The thing about biopics is that even the good ones tend to be overstuffed, bogged down by an incessant...
Lee Haven Jones’ slow-burn eco-horror The Feast may feature extended conversations around the dinner table about wealth inequality and the ecological damage of...
I'm not sure there's a more textbook example of police overreach and excessive force than the one depicted in David Midell's The Killing of Kenneth Chamberlain...
As the face (sometimes) and voice (always) of an amuse-bouche of TV shows, film criticism (in his column for Sight and Sound), and documentaries over the last ...
Directed by former NHL videographer Steven Hoffner, The Cannons follows a year in the life of the Fort Dupont Cannons, one of the nation’s first Black hockey t...
The once-prestigious Jason Reitman has remarked that after five consecutive box office bombs he felt the need to make his own Ghostbusters to finally confront ...
As directed by Peter Middleton and James Spinney, The Real Charlie Chaplin attempts a delicate dance, quite ambitiously trying to understand both Chaplin the g...
As Jackie and Don Seiden unintentionally describe themselves by way of an impromptu thought experiment: he's the warm-hearted crocodile and she the intelligent...
