• About
  • Contact
  • Advertise
  • Daily Newsletter
  • Search
  • Home
  • News
  • Trailers
  • Reviews
  • Features
  • Interviews
  • Podcasts
  • Festivals
The Film Stage logo
  • Home
  • News

    News

    See all
    • Cannes Film Festival Unveils 2026 Lineup

    • Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

    • Exclusive: Kevin Walker and Jack Auen’s Debut Feature Chronovisor Acquired by Grasshopper Film

  • Trailers

    Trailers

    See all
    • Ombres de soie Exclusive Trailer: Éric Rohmer Collaborator Mary Stephen’s Debut Feature Gets Restored

    • The Invite Trailer: Seth Rogen, Olivia Wilde, Penélope Cruz, and Edward Norton Have a Night to Remember

    • The Last One for the Road Trailer: Take an Inebriated Trip Through Italy

  • Reviews

    Reviews

    See all
    • Fiume o Morte! Review: A Historical Reenactment of Rare Wit and Energy

    • Exit 8 Review: A Videogame Adaptation Heavy on Allegory

    • Heads or Tails Review: An Ethereal, Lived-In Western

  • Features

    Features

    See all
    • The Best Movies Now Playing in Theaters

    • 13 Films to See at 2026 New Directors/New Films

    • Posterized April 2026: Blue Heron, The Christophers, Exit 8 & More

  • Interviews

    Interviews

    See all
    • “I’m Definitely Not Trying to Be Consistent”: Kiyoshi Kurosawa on Serpent’s Path, Chime, and Kokurojo

    • Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales

    • François Ozon on the Existentialism of The Stranger, Arab Representation, and Bressonian Acting

  • Podcasts

    Podcasts

    See all
    • Dolphins and Drugs: Michael Almereyda and Courtney Stephens on Capturing the Work of John Lilly

    • The B-Sides of Spike Lee

    • Gabe Klinger on Finishing Movies, Navigating Festivals, and Isabel

  • Festivals
  • Trending

    Trending

    NowWeekMonth
    • Cannes Film Festival Unveils 2026 Lineup

      1
    • Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales

      2
    • Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

      3

News

95th Academy Awards Nominations Include The Fabelmans, Top Gun, TÁR, and EO

Berlinale 2023 Lineup Includes New Films By Christian Petzold, Hong Sangsoo, Philippe Garrel & More

MUBI Unveils February 2023 Lineup

Jane Schoenbrun to Direct Adaptation of Imogen Binnie’s Nevada

The Criterion Collection Announce April Lineup: Steve McQueen’s Small Axe and Three 4K Releases

Paul Thomas Anderson Says His Favorite Film of 2022 is Ron Howard’s Thirteen Lives

Ari Aster Plans New Film with Emma Stone and Christopher Abbott Attached

Francis Ford Coppola’s New Re-Edit & Restoration B’Twixt Now and Sunrise Arrives in February

Francis Ford Coppola and Adam Driver Respond to Megalopolis Rumors; Mike Figgis Plans a Behind-the-Scenes Documentary

Everything Steven Soderbergh Watched and Read in 2022

Load More

Follow Us

Get Our Daily Newsletter

* indicates required

Latest

“I’m Definitely Not Trying to Be Consistent”: Kiyoshi Kurosawa on Serpent’s Path, Chime, and Kokurojo

Ombres de soie Exclusive Trailer: Éric Rohmer Collaborator Mary Stephen’s Debut Feature Gets Restored

Cannes Film Festival Unveils 2026 Lineup

The Best Movies Now Playing in Theaters

Fiume o Morte! Review: A Historical Reenactment of Rare Wit and Energy

Exit 8 Review: A Videogame Adaptation Heavy on Allegory

Heads or Tails Review: An Ethereal, Lived-In Western

Isabelle Huppert on Becoming a Vampire, Ulrike Ottinger’s Timeless Touch, and Asghar Farhadi’s Parallel Tales

Exclusive: Cinema Guild Acquires the Films of Margarida Cordeiro and António Reis

The Christophers Review: Steven Soderbergh’s Somewhat Dull Actors’ Showcase

Follow Us

  • X
  • Instagram
  • Facebook

Search

Explore Our Archives

 logo
© The Film Stage, L.L.C. (2008-2025)