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    • David Fincher’s The Adventures of Cliff Booth Sets Global IMAX Release This November

    • Leos Carax’s Annette Follow-Up Lily May B to Shoot Next Year with Jenna Ortega

    • The Criterion Collection’s August Lineup Includes James Gray, Todd Haynes, and More

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    • Exclusive Trailer for Bouchra Presents an Acclaimed, Personal Hybrid Animation

    • Sophie Thatcher and Charles Melton Lead First Teaser for Nicolas Winding Refn’s Her Private Hell

    • Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

  • Reviews

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    • Tuner Review: An Entertaining, Conveniently Scripted Caper

    • Cannes Review: Andrey Zvyagintsev’s Minotaur Is a Fascinatingly Lopsided Drama

    • Cannes Review: Victorian Psycho Is Gothic Horror with Confidence and Verve

  • Features

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    • New to Streaming: Miroirs No. 3, Kill Bill: The Whole Bloody Affair, Mother Mary, Palestine 36 & More

    • The Best Movies Now Playing in Theaters

    • New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

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    • “Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

    • “Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

    • Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

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    • The B-Sides of Laurence Fishburne with Mitchell Beaupre

    • The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

    • The B-Sides of Chow Yun-Fat

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    • Ryûsuke Hamaguchi on Passion, Learning from Kiyoshi Kurosawa, and Rethinking How to Make Films

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    • Cannes Review: Victorian Psycho Is Gothic Horror with Confidence and Verve

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    • Cannes Review: Cristian Mungiu’s Fjord Is a Thunderous, Opulent Triumph

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News

A New Film by Hong Sangsoo and More Will Premiere at Berlinale 2026

Slamdance Film Festival Unveils 2026 Lineup

Atom Egoyan and Alison McAlpine Discuss the Oscar-Contending Perfectly a Strangeness

Brian De Palma Will Direct Sweet Vengeance This Summer

Exclusive Poster for Marco Bellocchio’s Six-Hour Portobello, Arriving on HBO Max in February

Everything Steven Soderbergh Watched and Read in 2025

NYC Weekend Watch: Catch Me If You Can, The Lost Weekend, The Spirit of the Beehive & More

The Criterion Channel’s January Lineup Features Paul Thomas Anderson, Kleber Mendoça Filho, Terence Stamp & More

The Criterion Collection’s March 2026 Lineup Features Killers of the Flower Moon on 4K

Sundance Film Festival Unveils 2026 Lineup

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The B-Sides of Laurence Fishburne with Mitchell Beaupre

New to Streaming: Miroirs No. 3, Kill Bill: The Whole Bloody Affair, Mother Mary, Palestine 36 & More

Tuner Review: An Entertaining, Conveniently Scripted Caper

Cannes Review: Andrey Zvyagintsev’s Minotaur Is a Fascinatingly Lopsided Drama

Cannes Review: Victorian Psycho Is Gothic Horror with Confidence and Verve

The Best Movies Now Playing in Theaters

I Love Boosters Review: Boots Riley Again Takes Dead Aim at Capitalism in Zany Comedy

Stolen Kingdom Review: A Light but Entertaining Look at Disney Obsessives

Cannes Review: The Man I Love Presents a Lovingly Detailed World and Lacking Lead Performance

David Fincher’s The Adventures of Cliff Booth Sets Global IMAX Release This November

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