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    • New Restoration of Ken Russell’s The Devils Leads Cannes Classics 2026 Lineup

    • Whit Stillman Plans Return with Adam Brody-Led A Night at Claridge’s; Sebastian Stan and Ana de Armas to Lead Felipe Gálvez’s Impunity

    • Ryûsuke Hamaguchi’s Rare Touching the Skin of Eeriness Screens May 19

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    • Maddie’s Secret Trailer: John Early Crafts a Sincere Satire in Directorial Debut

    • Kamal Aljafari Documents a Vanishing Land In Exclusive Trailer Debut for With Hasan in Gaza

    • Dominic Sessa is Anthony Bourdain in First Trailer for Matt Johnson’s Tony

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    • Silent Friend Review: Tony Leung Finds a Flora Connection

    • The Misconceived Review: Incisive, Inventive Look at Contemporary Life

    • Blue Film Review: Masterful Two-Hander Confronts Flaws with Empathy

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    • Our 20-Most Anticipated 2026 Cannes Film Festival Premieres

    • The Best Movies Now Playing in Theaters

    • Posterized May 2026: Renoir, I Love Boosters, Backrooms & More

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    • “Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

    • Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

    • Arnaud Desplechin on Two Pianos, Nervous Breakdowns, and Making Cinema Bigger Than Life

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    • The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

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News

The Criterion Channel’s July Lineup Includes A.I., British Noir, Elvis & More

Martin Scorsese, Steven Spielberg, and Paul Thomas Anderson Release Vague Statement About the Future of TCM

Wes Anderson’s The Wonderful World of Henry Sugar is 37 Minutes Long

The Criterion Collection’s September Slate Brings Orson Welles, David Bowie, The Princess Bride, and Nicolas Roeg in 4K

Guillermo del Toro Says “We Have to Rescue” Studio Animation From “Emoji-Style Behavior”

Watch: Quentin Tarantino Talks Violence, Taxi Driver, Brian De Palma & More in 70-Minute Cannes Masterclass

Claire Denis Has Written a New Feature; Location-Scouting Begins This Month

Exclusive: Wes Anderson Will Begin Shooting His 13th Feature Later This Year

Leos Carax Begins Production on C’est pas moi as Arnaud Desplechin Plans Spectateurs

Jia Zhang-ke’s Next Narrative Feature is We Shall Be All, a Project Two Decades in the Making

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“Everything Is By Chance”: Tony Leung on Silent Friend, Léa Seydoux, and Ryûsuke Hamaguchi

Our 20-Most Anticipated 2026 Cannes Film Festival Premieres

The B-Sides of Eddie Murphy with Nicholas Gray and Alvin Keith

The Best Movies Now Playing in Theaters

Silent Friend Review: Tony Leung Finds a Flora Connection

The Misconceived Review: Incisive, Inventive Look at Contemporary Life

Maddie’s Secret Trailer: John Early Crafts a Sincere Satire in Directorial Debut

Silent Friend Director Ildikó Enyedi on Capturing a Tree’s Perspective and the State of a Soul

Blue Film Review: Masterful Two-Hander Confronts Flaws with Empathy

New Restoration of Ken Russell’s The Devils Leads Cannes Classics 2026 Lineup

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