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    • The Criterion Collection’s May Lineup Includes Akira Kurosawa, Bob Fosse, and Joachim Trier on 4K

    • First Look at Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, Set for August Release

    • Isabelle Huppert is The Blood Countess in Exclusive Poster for Ulrike Ottinger’s Berlinale Premiere

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    • Legendary Director Haile Gerima Returns in Exclusive Trailer for Black Lions – Roman Wolves, Premiering at Berlinale

    • Two Prosecutors Trailer: Sergei Loznitsa Captures a Quest for Justice

    • Omaha Trailer: John Magaro Takes a Heartbreaking Road Trip

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    • Rotterdam Review: First Light is a Calm, Confident Debut

    • Good Luck, Have Fun, Don’t Die Review: Gore Verbinski Finally Returns with Refreshingly Madcap Adventure

    • My Father’s Shadow Review: A Lovely Tale of Familial Bonding That Plays Things Safe

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    • NYC Weekend Watch: Diane Keaton, The Brown Bunny, 2001 In Cinema & More

    • New to Streaming: Marty Supreme, Is This Thing On?, The Librarians, Happyend & More

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    • “We Cut 95% of It Out”: Matt Johnson on Nirvanna the Band the Show the Movie, Constant Re-Editing, and Season 3

    • Cashiers Du Cinéma Editors on Programming Their BAM Series and Celebrating Cinema Workers

    • Sam Rockwell on His Most Overlooked Films and Working with Gore Verbinski

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    • The B-Side Ep. 175 – Rachel McAdams

    • The Best Films of 2025 and Most-Anticipated Films of 2026

    • The B-Side Ep. 174 – James Stewart (with Mitchell Beaupre)

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    • “I Still Feel Like an Outcast”: Michael Almereyda on Nadja, Peter Fonda, David Lynch’s Fantômas, and Zero K

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News

2024 Venice Classics Lineup Features New Restorations of Films by Antonioni, Wiseman, Hawks, Ōshima & More

Lynne Ramsay Will Begin Shooting Die, My Love Starring Jennifer Lawrence Next Month

Amnesiascope Presents The Green Ray at the Brooklyn Center for Theatre Research July 15-17

Mia Hansen-Løve Reveals New Feature If Love Should Die, Shooting Next Year

First Look at Steve McQueen’s Blitz, Arriving This November

Listen to Eiko Ishibashi’s Score for Ryusuke Hamaguchi’s Evil Does Not Exist

Harmony Korine Resurrects The Trap as Anime Feature and Sets Up Motion-Capture Comedy

Robert Zemeckis’ Here Takes Place from a Single POV for Entire Runtime

MUBI’s July 2024 Lineup Features Kiyoshi Kurosawa, Paul Schrader, Kit Zauhar, Richard Linklater & More

Luca Guadagnino Says Queer is a Tribute to Powell & Pressburger, Will Feature “Scandalous” Sex Scenes

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Latest

“We Cut 95% of It Out”: Matt Johnson on Nirvanna the Band the Show the Movie, Constant Re-Editing, and Season 3

The Criterion Collection’s May Lineup Includes Akira Kurosawa, Bob Fosse, and Joachim Trier on 4K

First Look at Jane Schoenbrun’s Teenage Sex and Death at Camp Miasma, Set for August Release

NYC Weekend Watch: Diane Keaton, The Brown Bunny, 2001 In Cinema & More

Cashiers Du Cinéma Editors on Programming Their BAM Series and Celebrating Cinema Workers

Legendary Director Haile Gerima Returns in Exclusive Trailer for Black Lions – Roman Wolves, Premiering at Berlinale

Rotterdam Review: First Light is a Calm, Confident Debut

New to Streaming: Marty Supreme, Is This Thing On?, The Librarians, Happyend & More

The Best Movies Now Playing in Theaters

Good Luck, Have Fun, Don’t Die Review: Gore Verbinski Finally Returns with Refreshingly Madcap Adventure

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