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    • Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

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    • “Making Movies Should Be a Pleasure”: Olivier Assayas on The Wizard of the Kremlin

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News

Andrey Zvyagintsev Sets Next Feature with Minotaur

David Lynch Spoke to Naomi Watts and Laura Dern About New Project Last Fall: “He Was Not, In Any Way, Done”

NYC Weekend Watch: The Quiet Man, João César Monteiro, René Clair & More

MUBI’s April 2025 Lineup Includes A Traveler’s Needs, Grand Tour, Tendaberry & More

The Criterion Channel’s April Lineup Includes Jacques Rivette, Chinese Crime Thrillers, Vietnam Cinema & More

First Teaser for Paul Thomas Anderson’s One Battle After Another Arrives as Film Shifts to Fall

Mirror of Life, a Ten-Film Manoel de Oliveira Retrospective, Comes to BAM on March 28

Mamoru Oshii Expresses Hopes for Ghost in the Shell 3

The Criterion Collection’s June Lineup Features Mishima, Sorcerer, and Brazil on 4K

Leonardo DiCaprio Will Lead Martin Scorsese’s Home; Apple and Todd Field to Produce

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Cannes Review: The Meltdown Is an Elusive Chilean Chiller

Kenneth Lonergan Returns with Tomorrow Is a Drag; Aubrey Plaza, Adam Driver, Matthew Broderick, and Vanessa Kirby Starring

Cannes Review: Asghar Farhadi’s Parallel Tales Is an Ambitious If Tedious Take on Kieślowski

Cannes Review: Gentle Monster Is a Masterfully Performed Drama In the Aftermath of Betrayal

Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Cannes Review: Fatherland Finds Paweł Pawlikowski in a Heady, Aching Register

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

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