Zhuo-Ning Su

[Venice Review] Afternoon

It’s always been easier to review Tsai Ming-liang’s films than to make sense of them. Characterized by an often impenetrable language of silence and immobility,...

[Venice Review] A Bigger Splash

Despite a loose script that justifies little, Italian director Luca Guadagnino’s follow-up feature to his glorious melodrama I Am Love is a sweaty, kinetic, dan...

[Venice Review] The Clan

Who says there’s no place for meaty, gritty thrillers at A-list film festivals? Argentinian director Pablo Trapero’s El Clan (The Clan) is exactly the kind of c...

[Venice Review] The Danish Girl

As far as directors go, it doesn’t get much more middle-of-the-road than Tom Hooper. His films tend to feature clear-cut, identifiable conflicts sketched out in...

[Venice Review] The Wait

Seeing that the film starts in the middle of a memorial service, it doesn’t qualify as a spoiler to reveal that the unseen hero of L’attesa (The Wait) - the sub...

Zhuo-Ning Su

Berlin-based freelance film journalist. Watches too many movies for his own good.