More and more a venue for strong American and foreign independent features that either hit recent festivals or, for whatever reason, haven't quite fit into ...
Ridley Scott's first movie in a lengthy-for-him year-and-a-half is Alien: Covenant, which follows up Prometheus with a little more of that useful brand reco...
I was surprised to find a Hollywood Reporter item about Martin Scorsese's 1990 documentary Made in Milan, what with the thing having been online for many ye...
One of the most striking, accomplished, and affecting films of last year was Terence Davies' Sunset Song -- and, thankfully, one won't have to wait long to ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Although relegation to a sidebar made the film harder to find amidst Cannes' typical hustle and bustle, Mimosas made a strong impression on those who saw it...
20 years ago today, a car drove down a dark, desolate strip of road as David Bowie crooned, in one of the most fortuitous meetings of song and material cine...
Find a documentarian who wants to talk about their film, and you'll get a better interview from them than just about anybody. Their work is often a matter o...
Rather than do a whole spiel about how what is "lost" never goes unfound in this day and age so long as a copy does, in fact, exist, I'll get to the excitin...
Continuing his "auteurist TV here, prestige picture there" pattern, Cary Fukunaga may follow Beasts of No Nation and forthcoming Netflix series Maniac with ...
