Right up above, you can have a first look at Mike Leigh's new, untitled, and sixth collaboration with Timothy Spall, this particular outing concerning legen...
Now that Only God Forgives, once in his pipeline for a few years, is officially done and over with, Nicolas Winding Refn might be getting to some more prope...
After a bit of rumor-mongering and no-fun back-and-forths, it would appear that Jurassic World has found its next adult in Josh Brolin. According to first, ...
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repe...
Rupert Wyatt's follow-up to the more-promising-than-it-has-any-right-to-be Rise of the Planet of the Apes may, in light of so many false starts, really be i...
I should know better than to put filmmakers in some expectations-mandated box just after their breakthrough, but you can, still, understand my surprise with...
By and large, historical documentation on Apocalypse Now, past all the pain and suffering, would only account for two versions of Francis Ford Coppola's epi...
If there was no directorial credit attached to this poster, how quickly would you guess that it's advertising a Wes Anderson movie? Four seconds? Not that s...
The inescapable, incompatible bonds between man and machine is an idea which can be traced back to the incipient stages of cinema itself; we may be inclined to ...
The Will Ferrell-John C. Reilly machine seemed unstoppable when Step Brothers arrived in 2008, itself coming only two years after their other Adam McKay col...
