Despite the wide crop of potentially great cinema it's going up against, Son of Saul is, to many eyes, the best film of this year's Cannes. Our man on the g...
With Saint Laurent, Bertrand Bonello may not have lived up to the acclaim earned by his previous feature, House of Tolerance, but when a) the latter was pre...
Save for some alternate, high-concept staging that actually knows why it should break from a well-worn tradition, another Macbeth really isn't something the...
"From my point of view, cinema’s departure from the movie theater is part of a natural progression of things, just like contemporary art is escaping the galle...
Although Irrational Man (review) and Inside Out yield lesser interest than other Cannes titles by dint of having close release dates, there are still worthw...
Things rarely seem easy for Abel Ferrara, an artist whose tough, uncompromised vision often makes difficult the acquiring of funds -- and even when the man ...
By just about every account -- including its creator's "silent" judgement -- Dying of the Light, or the approximation of Dying of the Light that slithered i...
Between the endorsements in features and my own rave review, it's safe to say we're fans of Mia Hansen-Løve's newest film, Eden, and we hope that you've bee...
Perhaps no film on last year's fall festival circuit built as much steam, so quickly going from essentially unknown to much-discussed must-see, as Josh and ...
Following the batch of stills that we premiered last week, Henry Gamble's Birthday Party -- the new film from Stephen Cone (Black Box, The Wise Kids) -- has...
