Earlier this month, we told you about an upcoming digital restoration of Jean-Luc Godard's Pierrot le Fou, the existence of which I found a bit dispiriting ...
Werner Herzog is no less a showman than he is an artist (some would readily say more so), making it no surprise that his film school is driven by the same wil...
No matter how much he's been ingrained into the widely established film canon, especially as far as foreign-language filmmakers go, Federico Fellini's oeuvr...
There are still seven days to go until I can (officially) discuss the greatness of The Hateful Eight, but let me peek my head out for a minute and say that ...
At the halfway point of December, there are, to put it lightly, many end-of-year lists hitting the web, and few publications have round-ups as consistently ...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
Update: Abbas' son Ahmad Kiarostami tells Locarno that his father left behind "two photo collections and one movie," the latter presumably the below film, w...
As our coverage from this year's Marrakech International Film Festival continues to flow in, they've begun providing videos that give some sense of what it'...
Unless a certain film about interstellar skirmishes impresses as much as the hype machine necessitates, it feels safe to say now, more than a week into Dece...
If few living cineastes -- save for, let's say, David Bordwell -- have a really solid grasp of Yasujirô Ozu, it's not for lack of interest -- nor even that ...
