More than a year-and-a-half since news of its development first broke, Sylvain Chomet's new film The Thousand Miles is about to move forward. Reportedly a c...
No film's legend is quite as strong as The Day the Clown Cried's, to the point that minor bits and pieces caused a stir when they emerged two-and-a-half yea...
As if Radiohead's unused Bond theme wasn't sufficient, here's a second Christmas present: Quentin Tarantino and Paul Thomas Anderson sat down in the former'...
Say what you will about Michael Moore — as if it hasn’t already been said, and not at all from a single side of the two-party battle line — but the man knows ho...
Quentin Tarantino’s love of genre cinema manifests itself in retention and expansion: while he understands that the homaged works were often built to hit a base...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
When the year-end catch-ups are done and the paint's still wet on your 2016 viewing log, is there any better way to begin twelve months of movies than Orson...
Dailies is a round-up of essential film writing, news bits, videos, and other highlights from across the Internet. If you'd like to submit a piece for consi...
We saw some great films at last year's Berlinale; few left as large an impression as Pablo Larraín's The Club. And while this experience may sound emotional...
