Nowadays, being a great fan of Brian De Palma means getting burned time and again by projects that are announced, linger, and taper off, and so I can only r...
Rare is the occasion when distribution news is cause for celebration, but we liked Hong Sang-soo's Right Now, Wrong Then so much that its arrival in the U.S...
Following word that David Oyelowo and Gugu Mbatha-Raw will get into the Bad Robot business with God Particle, a new casting update has made this project all...
It is with a bit of embarrassment that I admit, amid Cannes' overwhelming shuffle and hullabaloo, I'd failed to notice a new film from Hirokazu Koreeda. I w...
The speed at which Steven Spielberg's currently operating is almost exhausting to even think about. In the less-than-nine-month gap between Bridge of Spies ...
What, exactly, gets Shia LaBeouf and Flying Lotus partnered on a documentary -- as executive producer and composer, respectively -- and even after watching ...
I don't agree with their claim that Barbara Loden's Wanda "incontestably ranks among the cinema’s greatest masterpieces" -- for one thing: I don't know if a...
Right before production kicks off, Martin McDonagh's highly anticipated Three Billboards Outside Ebbing, Missouri has improved a remarkably impressive ensem...
It's been almost a year since the premiere of Jeremy Saulnier's Blue Ruin follow-up Green Room, so consider it a testament to some sort of power that people...
Michelangelo Antonioni made several great films without Monica Vitti, yet the sense of harmony driving their collaboration can be so powerful as to make one...
