What first appeared to be a DTV actioner, aging star and all, that slipped its way into theaters ended up being the premier American action film of... this ...
Has Mike Mills ever been unsympathetic to another human being? If his two most recent features, Beginners and this year's NYFF centerpiece selection, 20th Centu...
The general perception of Paul W.S. Anderson's bombastic, symmetrical-composition-heavy cinema has changed enough in the four years since the last Resident ...
If you care for the films of Pedro Almodóvar -- and I'm sure that's many of you -- his newest picture, Julieta, will likely leave you satisfied. As we said ...
With Things to Come, the great Mia Hansen-Løve is earning some of her best reviews in years, and, along with Paul Verhoeven's Elle, it represents a banner y...
Most will begin talking about Toni Erdmann by noting that it is indeed very funny -- not in some "obscure, European" way, but with plenty of lowbrow jokes a...
While there are certain limits to which No Direction Home: Bob Dylan is "a Martin Scorsese film," given the lack of input he had with creating of the materi...
See enough by any director and you'll start thinking you've got a grip on the enterprise. See everything they've directed -- "everything" here constitutes 17 fe...
It'll be hard for me to read, hear, type, or say the title of Pablo Larraín's new film without hearing '60s-era Scott Walker and a charging backing band, bu...
Criterion's been on a bit of a Krzysztof Kieślowski tear as of late, having just given his towering Dekalog a Blu-ray release. One doesn't need much of an e...
