Irma Vep: Olivier Assayas’ Captivating, Unclassifiable Prayer for Cinema Turns 25
In the quarter-century since its debut, Olivier Assayas’ hilarious, mischievous, altogether unclassifiable Irma Vep stands merrily uninterested in many things ...
Matthew Eng is a Brooklyn-based writer and critic. His work has previously appeared in BuzzFeed Reader, the Los Angeles Times, Reverse Shot, Bright Wall/Dark Room, Hyperallergic, Little White Lies, and Tribeca Film, among other publications.