The cinematic treasure trove that is The Criterion Channel launched yesterday, providing access to over 1,000 films from Criterion and Janus Films, along with g...
The directing duo of Elizabeth Chai Vasarhelyi and Jimmy Chin have gone to grand, dangerous lengths to deliver hair-raising cinematic experiences with the l...
While his most ambitious film thus far–the peculiar, yet compelling Downsizing–was his least well-received, Alexander Payne aims to bounce back by going a w...
With the proliferation of ride-sharing apps, I imagine those reading this have had a few unpleasant experiences, but they don't quite compare with what driv...
After his globe-trotting, multi-lingual adventure Okja, Bong Joon-ho returned solely to South Korea for his follow-up, a smaller-scale, mysterious drama tit...
Throughout his career as a director, Terry Gilliam has aimed to portray the outlandish and disorderly in imaginative, transportive ways. His greatest achievemen...
In the eight years since his last feature film, Twixt, Francis Ford Coppola has stayed busy with various projects, some of which have never reached their fu...
Premiering last fall at the Toronto International Film Festival, J.T. Leroy (then titled Jeremiah Terminator LeRoy) tells the true story as captured in Sava...
The years between Laika releases–in which our eyes are exposed to hours of unimaginative, cookie-cutter Hollywood animation–always seems to be just enough time ...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
