After a remarkable year for documentaries, 2021 will kick off with another promising slate. One of the first essential watches of the new year is Katrine Philp...
We've now entered a new year, and one that will hopefully go better than the prior one. As we look towards the cinematic offerings of 2021, we'll soon be publi...
As we continue to explore the best in 2020, today we're taking a look at the articles that you, our dear readers, enjoyed the most throughout the past twelve m...
One may not exactly imagine the visions of Gaspar Noé to be the ideal way to ring in a new year, but nonetheless, the director has now returned with a new shor...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
One of the most acclaimed films on the festival circuit the past year or so has been Valentyn Vasyanovych's Venice award winner Atlantis. Hauntingly capturing ...
As Martin Scorsese once said, "Music and cinema fit together naturally. Because there's a kind of intrinsic musicality to the way moving images work when ...
In a pandemic-free timeline we likely would be seeing Martin Scorsese's Killers of the Flower Moon by the end of 2021, but with a shoot hopefully getting under...
From The Father to Dick Johnson Is Dead to Falling to Minari, 2020 has been an exemplary year for films exploring all facets of fatherhood. Premiering at Slamd...
Along with making one of the best films of the year himself with The Human Voice, which will get a proper release this March, Pedro Almodóvar had the chance to...
Jordan Raup is the founder and editor-in-chief of The Film Stage and a Rotten Tomatoes-approved critic. Track his obsessive film-watching on Letterboxd.
