John Fink

[Review] Meet the Mormons

Let’s just admit it up front: every religion has interesting, funny, good-hearted folks that are trying to make the world a better place. In fact, I’m willing t...

[Review] Nas: Time Is Illmatic

Tracing the life, times and political ideology behind Nas’ groundbreaking 20-year old album, Time Is Illmatic is a new seminal hip-hop documentary. Much like La...

[Review] Bronx Obama

Down on his luck and out one night at his local Bronx watering hole, Louis Ortiz, an unemployed Puerto Rican father from the Bronx, is told for the hundredth ti...

[Review] Alumbrones

Vibrant yet straight-forward, Alumbrones documents the condition Cuban artists of multiple generations face as they practice their work not within a vacuum, but...

[Review] The Frontier

Despite an opening suggesting we’re in for a meticulous modern Western, The Frontier, directed by Matt Rabinowitz, embodies the mood, atmosphere and longing fou...

[TIFF Review] High Society

Deceptively gentle and delightful, High Society is a distinctively French drama of manors from Julie Lopes-Curval who knows this territory intimately. (Lopes-Cu...

[TIFF Review] Haemoo

Haemoo is an effective moral thriller that immediately mirrors the best work of its co-writer and producer Bong Joon-ho. What starts as slow and straight-forwar...

[TIFF Review] Learning to Drive

Adapted from a New Yorker essay and directed by Isabel Coixet (Elegy), Learning to Drive is often tender and delightful. Traversing territory covered in her pre...

John Fink

John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.