What a difference a year makes. The loveable Bill Murray gave one of his most touching and bittersweet performances last fall in St. Vincent. This year, Murray ...
A performative exploration of Australia’s own Orry-Kelly, perhaps most infamously known as Cary Grant's lover, Women He's Undressed is a playful look at the man...
An angry satire, Thank You For Bombing, the latest film from Barbara Eder (Inside America) takes dead aim upon the industry of journalism in war zones. No one i...
The Family Fang provides fuel for a future auteur study of its director Jason Bateman: haunted by his past as a child actor, his work in front of and behind the...
Honoring the spirit of the namesake of TIFF’s Wavelengths program, another Toronto-based filmmaker masterfully plays with space and time creating what has been ...
Apparently kids from Baltimore to County Durham to Auckland have the same problem: parents just don’t understand. So little has changed since Will Smith and DJ ...
Diagnosed some 37 years ago by the poet laureate of the great state of New Jersey, Bruce Springsteen’s song and album of the same name, The Darkness on the Edge...
Colorful and beautifully shot, Mala Mala is occasionally as tender and provocative as some of Pedro Almodóvar’s best work. Told through nine subjects, directors...
There has yet to be a great documentary about education reform. A politicized issue if there was ever one, Greg Whitely, director of Mitt and New York Doll trie...
John Fink is a New York City area-based critic, filmmaker, educator and curator. He currently serves as the Artistic Director of the Buffalo International Film Festival.
