The latest cinematic look at Pablo Escobar is titled Loving Pablo for a reason: it's based on Colombian journalist Virginia Vallejo's book Loving Pablo, Hating ...
It might be hyperbolic to call Smallfoot the most dangerous film of the year, but it wouldn't necessarily be wrong. Yes, there's a wholesome message at the back...
I can't think of a better term to describe Esther Rots' Retrospekt than her own: "sensory cinema." We get a feeling for what this means during the opening scene...
It's 19th century Vietnam and fourteen-year-old May (Nguyen Phuong Tra My) has just been married to a wealthy landowner named Hung (Long Le Vu). She wears a gen...
A film ten years in the making, anthropologist Sine Plambech and her director husband Janus Metz's open a door with Heartbound onto an intriguing humanist story...
Sofía Hernandez (Ilse Salas) has everything: three children she can ignore, servants and maids to take care of her every whim, and a husband (Flavio Medina's Fe...
Andrej (Matej Zemljic) is an eighteen-year-old abuser. He's stopped going to school, started getting into fights, disrespects his parents, and most recently hit...
Men have it tough, don't they? I mean they have to worry about married women they've engaged in inner-office affairs with ratting them out to the new boss. Some...
America isn't the only country with a portion of its population rejecting refugee clemency (although it's the most high profile due to international stature, ec...
Less than an hour from Naples, Italy is Castel Volturno, a place marred by newspaper headlines like "Forsaken Village" and "Sex, Drugs, and the Mafia." It shoul...
