It might be hyperbolic to call Smallfoot the most dangerous film of the year, but it wouldn't necessarily be wrong. Yes, there's a wholesome message at the back...
I can't think of a better term to describe Esther Rots' Retrospekt than her own: "sensory cinema." We get a feeling for what this means during the opening scene...
It's 19th century Vietnam and fourteen-year-old May (Nguyen Phuong Tra My) has just been married to a wealthy landowner named Hung (Long Le Vu). She wears a gen...
A film ten years in the making, anthropologist Sine Plambech and her director husband Janus Metz's open a door with Heartbound onto an intriguing humanist story...
Sofía Hernandez (Ilse Salas) has everything: three children she can ignore, servants and maids to take care of her every whim, and a husband (Flavio Medina's Fe...
Andrej (Matej Zemljic) is an eighteen-year-old abuser. He's stopped going to school, started getting into fights, disrespects his parents, and most recently hit...
Men have it tough, don't they? I mean they have to worry about married women they've engaged in inner-office affairs with ratting them out to the new boss. Some...
America isn't the only country with a portion of its population rejecting refugee clemency (although it's the most high profile due to international stature, ec...
Less than an hour from Naples, Italy is Castel Volturno, a place marred by newspaper headlines like "Forsaken Village" and "Sex, Drugs, and the Mafia." It shoul...
Rojo opens as people leave a house with objects in-hand, the assumption being that they were bought in an estate sale or pilfered before one could begin. A man ...
