Considering the Wikipedia page for Sable Island states a population of zero (minus the six-to-twenty-five rotating personnel team from the Meteorological Servi...
I made the mistake of worrying about plot while watching Natalia López's feature directorial debut Robe of Gems. The synopsis dares you to worry with its talk ...
It's not often a web comic gets optioned into a film produced by a superstar singer for a Hollywood studio, but that's what happened to Bobby Crosby's 2012 wor...
The camera never leaves young Nora (Maya Vanderbeque) throughout the entirety of Playground. Writer-director Laura Wandel needs us to follow her closely and un...
A couple of studios rightfully got nervous about the increased COVID numbers over the holidays and moved their marquee titles away from the wintry mont...
It would be a mistake to take the synopsis for Abed Abest's Killing the Eunuch Khan at face value. This is not a film about a serial killer in the generic sens...
Director Frauke Havemann's story about traveling into the woods with her dramaturg to discuss a new project at the onset of COVID-19 feels crucial to understan...
Writer-director Aly Muritiba said something very interesting about his new film Private Desert in the lead-up to its Venice debut. He spoke about a desire for ...
Enacted during Prohibition—and the Harlem Renaissance—the New York City Cabaret Law made it so any public establishment that served food and/or drink needed a ...
A long-time coming fit of exasperation gets Lisa (Isadora Leiva) to ask herself the question she should have asked before leaving Florida behind: is New York C...
