Cancer is one of life’s great fears, a grand equalizer that takes without discretion. Children are lost while their parents watch, talents with the ability ...
The Toronto International Film Festival media blurb for Simon Davidson’s debut feature, The Odds, likens it to a combination of Rounders and Brick. While th...
A normal life was never an option for Lena. Whether a translation tick or a telling line throughout the film, the words “Be normal” crop up often as none of...
A psychotic break has fractured Luis (Luis Luque) and Beatriz’s (Beatriz Spelzini) marriage in El gato desaparece , playing at the Toronto International Fil...
After teaming up for a very funny take on a true story with The Informant!, screenwriter Scott Z. Burns and director Steven Soderbergh decide to give life t...
Finally making its way into American theatres on the cusp of its director’s passing, Mistérios de Lisboa gives us an epic look into the bourgeois dramatics...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column f...
When it comes to an action flick scribed by the prolific Luc Besson, one shouldn’t be surprised to see a badass heroine using a toothbrush and towel as her ...
“Whatever happens tomorrow, we’ve had today.”
That quote could very well be the answer to the meaning of life. The future is a construct in a constant st...
It may be overly derisive to say, especially from a guy who watched Like Father Like Son and Vice Versa religiously during the late-80s, but The Change-Up h...
