Memory and nostalgia—these are the things Joachim Trier sought when creating his dark, hopeful and depressing love letter to his hometown. Rather than use t...
This has been the year of romantic comedies doing their best to overcome the genre and crossover to succeed with men and women alike. An unintentional reuni...
According to André Wilms—the star of Le Havre—during his hilarious stream of consciousness Q&A at a screening for the Toronto International Film Festiva...
Cancer is one of life’s great fears, a grand equalizer that takes without discretion. Children are lost while their parents watch, talents with the ability ...
The Toronto International Film Festival media blurb for Simon Davidson’s debut feature, The Odds, likens it to a combination of Rounders and Brick. While th...
A normal life was never an option for Lena. Whether a translation tick or a telling line throughout the film, the words “Be normal” crop up often as none of...
A psychotic break has fractured Luis (Luis Luque) and Beatriz’s (Beatriz Spelzini) marriage in El gato desaparece , playing at the Toronto International Fil...
After teaming up for a very funny take on a true story with The Informant!, screenwriter Scott Z. Burns and director Steven Soderbergh decide to give life t...
Finally making its way into American theatres on the cusp of its director’s passing, Mistérios de Lisboa gives us an epic look into the bourgeois dramatics...
“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact that impressionable souls will do so without fail. This monthly column f...
