Near the very beginning of Ruben Östlund's Force Majeure, we come to understand the impetus for a family’s vacation when the wife, Ebba (Lisa Loven Kongsli), ex...
Often, when defining the auteur, one of the first things we go to is the consistency of location -- that through a certain booming metropolis, quaint small town...
The comparisons between The Zero Theorem and Terry Gilliam’s most-beloved film are inevitable: dystopian sci-fi, a looming corporation, one lone man navigating ...
In town for the Fantasia Festival world premiere of the horror-comedy Suburban Gothic, we got a chance to sit down with Ray Wise for a brief chat. Wise, a s...
In the case of evaluating David Cronenberg, -- or at least forming the sort of career narrative seemingly essential to auteurist analysis -- it’s inevitable...
One of the many films to open with the misdirection of a movie within a movie, Open Windows actually earns it, even if the effort it expends in doing so makes n...
The newest film by Marco Bellocchio, one of Italy’s most revered directors, Dormant Beauty, initially seems like a risky proposition, being that it intends to m...
Film has always been inherent to hip-hop superstar RZA, whether it be the numerous samples from classic martial arts movies that appeared in a variety of Wu...
It's easy to divide David Lynch’s career into sections of surprising commercial accessibility and complete mainstream alienation -- the cultural breakthroug...
