Pixar’s Soul will be celebrated for many things, but chief among them should be the platform it gives, in American animation, to the great art form of jazz. We...
For all its contemporary elements, the story of Nomadland is as old as America itself. It’s the same hymn about the myth of the open road, stretching onwards i...
The reaction to Notturno is going to be as interesting to observe as the work itself, and it begs to be further contextualized by experts on the Syrian Civil W...
Like the giant fly in Mandibules, director Quentin Dupieux has been buzzing and provoking us for roughly the past decade, trying to build a reputation as a new...
One of the most anticipated films going into the festival, Pieces of a Woman delivers, although in a less harrowing register than many assumed. The film is dir...
And like that, the Venice Film Festival, and maybe auteur cinema itself, is back. Recovering from a global pandemic that has altered life as we know it, and wi...
David Katz has been a freelance film journalist for over a decade. Born in Columbus, Ohio and raised in London, he primarily writes for the trade publication Cineuropa, but also loves popping up at The Film Stage from time to time.
