Is it still a twist if the script tells you what's happening around the 15-minute mark? The marketing that surrounds Katie Aselton's Magic Hour seems to believ...
Following up his impressive debut The Vast of Night, it's been a long wait for Andrew Patterson's second feature The Rivials of Amziah King, which premiered at...
When we spoke to Nathan Silver in December, he made no illusions about having his follow-up to Between the Temples—one of 2024's best—set. It was around this t...
The wait for anything new from Richard Kelly is as long as it is bereft. Continually revealing and rewarding though the films, their alternate cuts, and graphi...
As part of the impressive Cannes Classics lineup this year, a new documentary examining the vast world of the legendary, late Chris Marker will premiere. Brech...
Coming off two 2025 debuts and on the eve of his latest feature, Diary of a Chambermaid, premiering at Cannes, Radu Jude—perhaps striving to make Hong Sang-soo...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Japan SocietyKazuhiko Hasegawa's Anarchic Ethos features an ultra-rare print of The Man Who...
After his ambitious foray into harder sci-fi with The Empire, Bruno Dumont is returning to the coming-of-age film with his highly anticipated Directors’ F...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Loving modern cinema and admiring Tony Leung are essentially a one-to-one deal. One can look no further than Film at Lincoln Center’s recent retrospective of t...
