Anthology films like The Year of the Everlasting Storm, wherein a flurry of esteemed directors create short segments tethered to a common theme, lack a strong ...
A car is knocked off-course on a quiet suburban street and crashes fatally into the front room of a well-furnished apartment. In the flurry of bricks and wall ...
We have been crazy about Tsai Ming-liang's Days for quite a while—premiering at Berlin 2020, which will go down as the last gasp of film culture as we knew it ...
I think Bruce Willis' agent needs a raise—they are going above and beyond to make sure their client gets A-list billing no matter what project he takes. I'd es...
It was frightening, concerning, altogether thrilling when the Jackass gang performed stunts—or direct acts of masochism; six of one, half dozen of another, etc...
Four years after All the Money in the World—two lifetimes by his current production rate—Ridley Scott has two coming down the pike this fall. One seems to be a...
After a pandemic-forced cancellation last year, Cannes Film Festival made a triumphant return this year, featuring some premieres pegged for the 2020 edition a...
“My work is all about transfiguration… I'm not a naturalistic filmmaker at all.” So goes one of the most widely quoted statements by French auteur Bruno D...
Taking place September 9-18, Toronto International Film Festival will feature a mix of in-person (thankfully now easier for U.S. citizens, due to the recent an...
If you told people in 1967 that Andy Warhol’s house band just released one of the most revered rock albums of all-time, they would ask what they're called, and...
