Following his breakout film, the affecting character study This is Martin Bonner, and his follow-up, the vibrant fish out of water tale Morris In America, dire...
Ending earlier than usual in their hybrid virtual/physical edition of this year's festival, Sundance Film Festival have now unveiled their award winners. Swept...
What if, instead of meeting on a balcony by moonlight, Romeo and Juliet exchanged dog gifs and memes from The Office over Instagram DMs? Wouldn’t it have been ...
Tense and gripping, Hogir Hirori’s documentary Sabaya never positions itself as a thriller. There’s no need. Barring a few cards of scene-setting exposition, t...
Captains of Zaatari opens on a note of beauty, with exceedingly pretty shots of best friends Mahmoud and Fawzi kicking up dust as they bounce a soccer ball bac...
I often wonder what influential film theorist Andre Bazin would make of VR and simulations, especially when this year’s Sundance has virtualized the festival e...
A film that is both timely and timeless, Judas the Black Messiah resists intertwining current events with historical figures––an approach that Spike Lee has ex...
Like clockwork (which is to say every three years) we get a new Dardenne brothers movie. If it's been two since Young Ahmed and we shouldn't expect an announce...
Opening the 50th International Film Festival Rotterdam is Anders Thomas Jensen's entertaining rollercoaster of a film Riders of Justice, following a soldier na...
In a café in Gijón, Spain, Leonor (Amalia Ulman) sits with a cup of coffee. An older man (Nacho Vigalondo) approaches her and joins her, and the two start disc...
