As an art, primarily, of feeling and rhythm, editing is perhaps one of the most complex and widely misunderstood aspects of filmmaking – mostly because it’s...
A last-minute addition to the Cannes Film Festival, Asghar Farhadi's The Salesman is also our most-anticipated of the slate. His follow-up to The Past, whic...
Despite being perhaps the best element of Batman v Superman: Dawn of Justice, it's safe to say Ben Affleck can't be pleased with how the superhero showdown ...
Since any New York cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory...
For this critic’s money, of the several excellent filmmakers to emerge from the Romanian New Wave, Cristi Puiu ranks as the most formidable. After kicking off h...
Returning to Cannes after her César-winning performance in Clouds of Sils Maria, Kristen Stewart is back with director Olivier Assayas for Personal Shopper....
Containing a number in its title, yet blissfully not chained to franchise requirements -- a decade-long gap between installments perhaps being the first clue as...
Breathing life into a tired genre (coming of age and/or coming out in the American suburbs), Clay Liford’s Slash is an authentic portrait of a young man explori...
Our huge excitement for James Gray's next feature, The Lost City of Z, can partly be explained by this great filmmaker's less-than-prolific output. You can ...
