It appears Pablo Berger's silent, black and white interpretation of the Brothers' Grimm's Snow White has become a casualty of its subject's overexposure outside...
From across the pond comes a trailer for The Sweeney, and while it delivers lots of action, it probably won't do much to revolutionize the genre. Based on a...
Sometimes you have to wonder if Dwayne "The Rock" Johnson ever sleeps. With a big year ahead of him at the multiplex, as well as his current long-form retur...
It seems like 47 Ronin will never hit theaters. The samurai action film has suffered its share of production problems, with the most recent blow being Unive...
To quote our very enthusiastic review, which went up recently from Sundance: "Stylishly directed and unnerving to its core, Mickle's We Are What We Are is ...
Last year, Disney and director Henry Selick united to make a stop-motion adaptation of Neil Gaiman’s kiddie novel The Graveyard Book, and all was right with...
Point in fact, very little is necessary about Fredrik Bond's mostly dreadful feature debut The Necessary Death of Charlie Countryman. Starring Shia LaBeouf as t...
Though most of us haven't yet seen Drake Doremus's Breathe In, his follow-up to the Sundance-winning Like Crazy, most of the early reactions -- including our ow...
The Way, Way Back, written and directed by Nat Faxon and Jim Rash, is the kind of independent film the Sundance Film Festival has become synonymous with: a wide...
Over the past half-decade or so, American crime-genre author Gillian Flynn has slowly but surely developed into something of a sensation. All three of her publi...
