One of 2011′s most hilariously awful films was Abduction, a box office bomb that was looking to launch Twilight star Taylor Lautner into action stardom. Instead it was legitimate proof that the young actor doesn’t have a convincing bone in his body, not helped by John Singleton‘s atrociously misguided direction.
Despite its failure, Hollywood is still trying to turn Lautner into a blockbuster lead, as a new project has been announced to sell at Cannes. In a press release, a new action thriller Tracers has been unveiled, which will see Lautner play a bicycle messenger in the Big Apple. His character name is Cam (Lautner) and is described as “the hottest thing on two wheels.” Seriously. Due to some bad ties with the criminal underworld, he must team with a “sexy stranger” and they must master parkour to defeat the vilains.
The synopsis actually sounds it could outdo the stupidity of Abduction, something which I’m certainly game for. Directed by newcomer Daniel Benmayor (Bruc, the Manhunt), this one could be the perfect recipe for another disaster, one in a long line that will likely be Lautner’s career.
Are you looking forward to the humor involved with Lautner trying to convincingly make a parkour film?
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming […]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
The thoroughly unsettling Faults, in theater this weekend, knows how to push the audience’s buttons in the right order to get the most out of a small budget and setting. The film follows Ansel (Leland Orser), a once-famed cult deprogrammer that is looking at diminishing returns on his success. When a couple find him in hopes that […]
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