Edgar Wright has mostly stayed in the pocket of action cinema since Hot Fuzz paid loving homage to the bombastic genre in 2007. But because subsequent projects...
The neon-lit alleyways of Taipei’s night markets have never looked quite so vivid as they do through a child’s eyes. Shot on an iPhone to emphasize the sheer w...
Telling an authentic, politically charged story from a child’s perspective can be a challenge. For tales set during a period like WWII, a lifelong combination ...
To international viewers, Bad Apples will play like a conventional dark comedy about a schoolteacher pushed too far by a student; to Brits, it’s a scorched Ear...
Note: This review was originally published as part of our 2024 BFI London coverage. All of You arrives on Apple TV+ on September 26.
Many films have dared t...
If your psychological thriller is centered around a man obsessed with a pop star on the cusp of superstardom, then the music itself had better sound believable...
For as long as we’ve known about Weapons, writer-director Zach Cregger’s hotly anticipated follow-up to his 2022 blackly comic splatter sensation Barbarian, we...
Note: This review was originally published as part of the U.K. release. Emmanuelle arrived on VOD in the U.S. on June 6.
The most striking thing about Audre...
Ferdinand Magellan was never regarded as a great man of history, and Lav Diaz’s surprisingly conventional––if still hypnotically paced––biopic uses genre struc...
Horror movies explicitly tackling grief are hardly a recent development, but it’s difficult to argue against the fact that we’ve seen this theme exploited ...
Alistair is a freelance film and culture writer from Northern England, who has written for the BFI, Vice, GQ, and more. You can find him on Twitter @YesItsAlistair, although if you are allergic to bad puns, maybe think twice before smashing that follow button.
