Back in May, Moonage Daydream – the hypnotic, experimental documentary abstraction that encapsulates David Bowie’s life, art, and philosophy – blew the top off...
Frenchman Florian Zeller began as a novelist in his early twenties, quickly moved into a bright career as a playwright and theater director, and now finds hims...
“When push comes to shove, we will always return to good chats,” Colin Farrell said at a press conference before the premiere of The Banshees of Inisherin. He’...
Where better to set a paradisal experimental housing development than Palm Springs? The sun is always shining and the empty desert expands as far as the eye ca...
The last narrative feature Luca Guadagnino directed was a 2018 remake of Suspiria, and his angle was vicious—a dark, mangled body horror so carnal it leaves th...
Silverio Gama (Daniel Giménez Cacho) is, as many artists like to imagine themselves, a disheveled-genius type. Once an independent journalist in his hometown o...
Nine years into its existence, A24—the once-indie production and distribution label behind modern greats like Under the Skin (2013), Moonlight (2016), and Uncu...
Lee Jung-jae’s writing, directing, and producing debut Hunt is a tricky film, a wolf in sheep’s clothing. At its heart this is a 50-50 blend of The Raid and JF...
On April 11, 2019, South Korea’s ban on abortion was struck down by the Constitutional Court. On January 1, 2021, abortion was finally decriminalized. That’s i...
Few filmmakers embrace artistic dichotomy like Baz Luhrmann. The Australian writer-director known for epic, ornate, long-gestating projects has become synonymo...
A New York City film journalist by way of Austin, TX, Luke is an arts enthusiast who earned his master’s studying film philosophy and ethics at Duke. He thinks every occasion should include one of the following: coffee, whiskey, tea, gin, beer, or olives.
