Following The Film Stage's collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists.
It w...
On tour across high-profile fall festivals since its premiere at Venice in early September, Luca Guadagnino’s teen cannibal romance Bones and All lands in thea...
In the tradition of Okja and Hail, Caesar!, writer-producer-director Joanna Hogg has gifted the world with two Tildas (Swinton, that is) in one film. Just shy ...
Back in May, Moonage Daydream – the hypnotic, experimental documentary abstraction that encapsulates David Bowie’s life, art, and philosophy – blew the top off...
Frenchman Florian Zeller began as a novelist in his early twenties, quickly moved into a bright career as a playwright and theater director, and now finds hims...
“When push comes to shove, we will always return to good chats,” Colin Farrell said at a press conference before the premiere of The Banshees of Inisherin. He’...
Where better to set a paradisal experimental housing development than Palm Springs? The sun is always shining and the empty desert expands as far as the eye ca...
The last narrative feature Luca Guadagnino directed was a 2018 remake of Suspiria, and his angle was vicious—a dark, mangled body horror so carnal it leaves th...
Silverio Gama (Daniel Giménez Cacho) is, as many artists like to imagine themselves, a disheveled-genius type. Once an independent journalist in his hometown o...
Nine years into its existence, A24—the once-indie production and distribution label behind modern greats like Under the Skin (2013), Moonlight (2016), and Uncu...
A New York City film journalist by way of Austin, TX, Luke is an arts enthusiast who earned his master’s studying film philosophy and ethics at Duke. He thinks every occasion should include one of the following: coffee, whiskey, tea, gin, beer, or olives.
