When Christopher Nolan asks you to do his next movie, there’s little that will get in the way. Anne Hathaway has learned this lesson, as her commitment with Interstellar has caused her to exit Lynn Shelton‘s next film, Laggies. Already starring Chloe Moretz, Sam Rockwell and Mark Webber, EW reports a worthy replacement has been found with Keira Knightley.
The dark comedy will follow Knightley in the lead as a “perpetual adolescent and late-twentysomething” named Megan gets proposed to by her boyfriend (Webber). Freaked out, she “pretends to go on a career retreat but actually hides out for a week with 16-year Annika (Moretz), her new best friend.”As for Shelton’s recent Sundance drama Touchy Feely (our one can read our review here), EW reports a September 6th bow on VOD and in theaters is planned.
In other casting news, Reese Witherspoon has found yet another project following her attachment to the Keanu Reeves-led sci-fi film Passengers last week. According to THR, the Mud actress is set to reunite with her Walk the Line director James Mangold for a new film titled Three Little Words, coming from Ashley Rhodes-Courter‘s memoir.
With Amanda Seyfried also attached, the project follows a poor Florida teen who meets an unpaid volunteer (Witherspoon) nine years after she went on welfare. Witherspoon’s character then “must search for and convince the biological mother (Seyfried) to surrender her parental rights so the teen can begin a new life.” Production is eyed for a September launch in Florida, so expect more updates over the summer.
Are you looking forward to either of the above projects?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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