As some (such as yours truly) anxiously await the release of his Donald Rumsfeld documentary, The Unknown Known, and a rare narrative feature, Freezing People is Easy, helmer Errol Morris has added another project of the latter stripe to his slate: Holland, Michigan, pegged as a darkly comedic thriller set in the suburbs. Should that quickly pique your interest, it’s unfortunate that no further details on the Andrew Sodroski-penned script have been made available at this point in time.
But can we be sold right off the bat? Though it’s, obviously, too early to make a judgement on how this may turn out, what’s there is rather good — and good enough to keep an eye out, no less. With Le Grisbi producing, Morris is expected to begin rolling cameras next spring.
In other directorial news, the long-gestating Selma — a biopic focused on an indelible moment in the (already legendary) life and career of Martin Luther King Jr. — is to be resurrected with the help of recent Sundance darling Ava DuVernay (Middle of Nowhere). Once-prospective helmer Lee Daniels likely got an MLK fill after directing [Title Not Available], in which the Civil Rights icon is portrayed by Nelsan Ellis — not his original pick, David Oyelowo, who is still on-track to appear as King, and will reunite with his Nowhere director.
DuVernay is in the process of wrapping up screenplay duties with original scribe Paul Webb, the hope being that Selma will start filming before a few other MLK-related projects — most notably Paul Greengrass‘ Memphis and a Spielberg-produced title — can make their way to theaters. If it’s a little exasperating, think of the whole situation from this end: in a world where White House-set Die Hard riffs have to get the jump on release dates and dollars, it’s evident that we could be dealing with a worse kind of competing project.
What do you think of Morris’ next endeavor? Do you think Selma should be resurrected, and in this fashion?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
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