We spoke with writer-director Lulu Wang about casting Tzi Ma to act as the fluid connection between Eastern and Western cultures, her unique use of fluorescent light to capture a modern Chinese aesthetic, and the pressure of bringing The Farewell to the competitive film market. ...
A few months ago we got the spectacular news that, after years of developing the script, Wong Kar-wai is finally gearing up to shoot his next film. Based on...
Considering how packed the fall slate can be, distributors often hold their stranger, bolder films for a spring release when they have the opportunity to better thrive. That's certainly the case this April, when some of the most daring releases will hit theaters, along with some promising studio fare, must-see documentaries, and more....
Now in its 48th edition, the NYC-based film festival continues to spotlight directors representing the future of filmmaking and this year's edition is particularly eclectic....
In the six years since his last film, The Grandmaster, there have been a number of projects Wong Kar-wai's been attached to. There was The Ferryman, which he ...
One of the most staggering cinematic experiences of recent years was seeing Bi Gan’s transportive, dreamlike odyssey Long Day’s into Night at the New York F...
With a seemingly endless amount of streaming options -- not only the titles at our disposal, but services themselves -- we're highlighting the noteworthy ti...
