Six years after the release of her debut Palo Alto, Gia Coppola returns with Mainstream, a media satire set in sunny Los Angeles about a couple of disaffected ...
Biographical documentaries, just like the biographical narrative film, tend to benefit from some specificity. Danny Boyle’s Steve Jobs movie was quickly forgot...
Apples is set in a world where digital technology seems not to exist, yet the psychic imprint of the digital age hangs heavy over first-time director Christos ...
It’s late February and Abel Ferrara is sitting on the couch of a Berlin hotel room, slouched beside is his friend, muse, and confidante Willem Dafoe. They look...
In The World to Come, an unlikely romance blossoms against the rugged rural backdrop of the American Northeast. The action plays out during the year 1856 somew...
Like the giant fly in Mandibules, director Quentin Dupieux has been buzzing and provoking us for roughly the past decade, trying to build a reputation as a new...
One of the most anticipated films going into the festival, Pieces of a Woman delivers, although in a less harrowing register than many assumed. The film is dir...
In The Disciple, a dedicated student of traditional North Indian music must grapple with the nagging feeling that he might not be quite good enough. The film i...
At one point in The Book of Vision, a young woman spins around in ecstasy, arms spread wide like a whirling dervish, before falling to the grass. The D.P. has ...
And like that, the Venice Film Festival, and maybe auteur cinema itself, is back. Recovering from a global pandemic that has altered life as we know it, and wi...
